無夕不寐，夢里有風雨，亦有蝴蝶。
Sleepless all night, there are wind and rain in the dream, and butterflies.
生活有時像海面上接連的浪，步履不停，卻不知去處，忘了來處。
只有當昏黃的夕陽灑落在臥室的床頭，或暗夜的新月懸掛于在窗外，幔帳輕搖，一切的問題都得到了釋懷。
Sometimes life is like continuous waves on the sea, walking without stopping, but not knowing where to go, forgetting where to come from.
Only when the dim yellow sunset falls on the bedside of the bedroom, or the crescent moon hangs outside the window in the dark night, and the curtains shake slightly, all problems are relieved.
靜與安寧，是臥室的能量。
為了形塑此沉靜的能量，設計師從傳統東方美學里淬煉出運用材質、造境的藝術。
Tranquility and tranquility are the energy of the bedroom.
In order to shape this quiet energy, the designer has refined the art of using materials and creating environments from traditional oriental aesthetics.
寢具是臥室的核心，也是與居者最親密的部件。“人生百年，所歷之時，日居其半，夜居其半。日間所處之地，或堂或廡，或舟或車，總無一定之地，而夜間所處，則止有一床。是床也者，乃我半生相共之物，較之結發糟糠，猶分先后者也。人之待物，其最厚者，當莫過此。”（李漁《閑情偶寄》）
Bedding is the core of the bedroom, and it is also the most intimate part of the occupants. "In a hundred years of life, half of the day and half of the night are lived. The place where you live during the day is either a hall or a verandah, or a boat or a car. , there is always no definite place, and there is only one bed at night. The bed is the thing that I have shared half of my life. For those who want nothing more than this." (Li Yu's "Idle Love Occasionally Send")
花梨靈芝頭衣架懸掛著那褪去的一天的疲憊。鐵梨木架子床包裹著潔白的帳幔，十字絳環優雅的身影，為空間注入曖昧的透感。楓木的扶手椅傳達著柔軟的古早意味，劉野筆下的周璇巧笑倩兮。
The rosewood ganoderma hanger hangs the exhaustion of the day that has faded away. The iron pear wood canopy bed is wrapped with a white curtain, and the elegant figure of the cross sash ring injects an ambiguous transparency into the space. The maple armchair conveys a soft and ancient meaning, and Zhou Xuan in Liu Ye's works is smiling and charming.
“小山重疊金明滅，鬢云欲度香腮雪。”
"The hills overlap and the golden light fades away, and the clouds on the temples want to burn the snow on the cheeks."
At this moment, life doesn't need too many comments, it just needs to feel and be close.
